| Prix |
Artiste |
Titre |
| Enregistrement de l'année |
George Benson |
This Masquerade |
| Album de l'année |
Stevie Wonder |
Songs in the Key of Life[2] |
| Chanson de l'année |
Barry Manilow |
I Write The Songs |
| Meilleur nouvel artiste |
Starland Vocal Band |
| Best Instrumental Arrangement |
Chick Corea |
Leprechaun's Dream |
| Best Arrangement Accompanying Vocalist(s) |
|
If You Leave Me Now |
| Best Arrangement For Voices (Duo, Group Or Chorus) |
Starland Vocal Band |
Afternoon Delight |
| Best Engineered Recording - Non-Classical |
|
Breezin' |
| Best Album Package |
|
Chicago X |
| Best Album Notes |
|
The Changing Face Of Harlem - The Savoy Sessions |
| Best Producer Of The Year |
|
Stevie Wonder |
| Best Jazz Vocal Performance |
Ella Fitzgerald |
Fitzgerald And Pass...Again |
| Best Jazz Performance By A Soloist (Instrumental) |
Count Basie |
Basie And Zoot |
| Best Jazz Performance By A Group |
Chick Corea |
The Leprechaun |
| Best Jazz Performance By A Big Band |
Duke Ellington |
The Ellington Suites |
| Best Pop Vocal Performance, Female |
Linda Ronstadt |
Hasten Down The Wind |
| Best Pop Vocal Performance, Male |
Stevie Wonder |
Songs In The Key Of Life |
| Best Pop Vocal Performance By A Duo, Group Or Chorus |
Chicago |
If You Leave Me Now |
| Best Pop Instrumental Performance |
George Benson |
Breezin' |
| Best R&B Vocal Performance, Female |
Natalie Cole |
Sophisticated Lady (She's A Different Lady) |
| Best R&B Vocal Performance, Male |
Stevie Wonder |
I Wish |
| Best R&B Vocal Performance By A Duo, Group Or Chorus |
Marilyn McCoo & Billy Davis, Jr. |
You Don't Have To Be A Star (To Be In My Show) |
| Best R&B Instrumental Performance |
George Benson |
Theme From Good King Bad |
| Best Rhythm & Blues Song |
|
Lowdown |
| Best Soul Gospel Performance |
Mahalia Jackson |
How I Got Over |
| Best Country Vocal Performance, Female |
Emmylou Harris |
Elite Hotel |
| Best Country Vocal Performance, Male |
Ronnie Milsap |
(I'm A) Stand By My Woman Man |
| Best Country Vocal Performance By A Duo Or Group |
Amazing Rhythm Aces |
The End Is Not In Sight (The Cowboy Tune) |
| Best Country Instrumental Performance |
Chet Atkins & Les Paul |
Chester And Lester |
| Best Country Song |
Larry Gatlin |
Broken Lady |
| Best Inspirational Performance |
Gary S. Paxton |
The Astonishing, Outrageous, Amazing, Incredible, Unbelievable, Different World of Gary S. Paxton |
| Best Gospel Performance (Other Than Soul Gospel) |
The Oak Ridge Boys |
Where The Soul Never Dies |
| Best Ethnic Or Traditional Recording |
John Hartford |
Mark Twang |
| Best Latin Recording |
Eddie Palmieri |
Unfinished Masterpiece |
| Best Recording For Children |
Karl Böhm & Hermione Gingold |
Prokofiev: Peter And The Wolf/Saint-Saens: Carnival Of The Animals |
| Best Comedy Recording |
Richard Pryor |
Bicentennial Nigger |
| Best Spoken Word Recording |
Helen Hayes, Orson Welles, Henry Fonda & James Earl Jones |
Great American Documents |
| Best Instrumental Composition |
Chuck Mangione |
Bellavia |
| Album Of Best Original Score Written For A Motion Picture Or A Television Special |
|
Car Wash |
| Best Cast Show Album |
|
Bubbling Brown Sugar |
| Album Of The Year Classical |
|
Beethoven: The Five Piano Concertos |
| Best Classical Orchestral Performance |
Orchestre symphonique de Chicago |
Strauss: Also Sprach Zarathustra |
| Best Opera Recording |
|
Gershwin: Porgy And Bess |
| Best Choral Performance, Classical (Other Than Opera) |
|
Rachmaninoff: The Bells |
| Best Chamber Music Performance |
David Munrow |
The Art Of Courtly Love |
| Best Classical Performance, Instrumental Soloist Or Soloists (With Orchestra) |
|
Beethoven: The Five Piano Concertos |
| Best Classical Performance Instrumental Soloist Or Soloists (Without Orchestra) |
Vladimir Horowitz |
Horowitz Concerts 1975/76 |
| Best Classical Vocal Soloist Performance |
|
Herbert: Music Of Victor Herbert |
| Best Engineered Recording, Classical |
|
Gershwin: Rhapsody In Blue |