Fichier:A-3-37-38-Africa.jpg
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Description
DescriptionA-3-37-38-Africa.jpg |
English: Nicolas Sanson. “Mappe-Monde, ou Carte Generale Du Monde.” Paris: N. Sanson, 1651. Published in 1695. 14 x 21. Engraving. Original hand color. Africa.
Nicolas Sanson (1600-1667) is generally acknowledged as the founder of the great French school of geographers and cartographers that supplanted the Dutch as the leading European map-makers. His work was acclaimed for its geographical accuracy and high standard of engraving. As a consequence, his many maps received a wide diffusion. His career marks the start of the process by which Paris superseded Amsterdam as the centre of European map production. Nicolas studied Ancient History as a young man, and this awoke in him an interest in classical geography. His first map, of ancient Gaul was made in 1618, when he was only 18. Sanson had three sons, Nicolas (1626-1648), Guillaume (d.1703) and Adrien (d.1708), and a grandson Pierre Moullard-Sanson (d.1730), all of whom were involved in the family’s map-making activities. After Sanson settled in Paris his work came to the attention of King Louis XIII, who eventually appointed Sanson Geographe Ordinaire du Roi, one of whose duties was to tutor the King in geography. Sanson published some 300 maps in his career, though his first most famous atlas, the folio “Cartes Generales De Toutes Les Parties Du Monde” was not published until 1658. Sanson also prepared a series of quarto atlases of the different continents. These scarce atlases are more frequently encountered in the Dutch piracy, engraved by Anthony d’Winter, first published in 1683. The Sanson atlases are rarely found with a standard set of maps; the practice seems to have been that additional, or revised, plates would be inserted as available. After Sanson’s death the business was continued by his two surviving sons and grandson, in partnership with, and later superseded by Alexis Hubert Jaillot.
A map of the world by one of the great cartographers of the seventeenth century, Nicolas Sansan, ‘the father of French cartography.’ Modern cartography is usually thought of beginning with a period dominated by the Dutch school, with such notables as Ortelius, Mercator, Blaeu, and Hondius. This age was followed by a period of dominance by the French school of cartography, the beginning date of which is usually given as 1650, when Nicolas Sanson began publishing his important maps. With Sanson’s maps, the age of scientific cartography began to unfold. Sanson was concerned to produce accurate maps based as much as possible on first-hand information, and not showing either purely speculative nor simply decorative features. Sanson’s map focuses on the geographic information, the space around the double hemispheres left intentionally blank. The outline of the continents and the illustrations of interior information is very accurate for the day. However, Sanson was not immune to the cartographic myths of his day. The map shows a strange outline of a great southern continent, as well as several reflections of early knowledge of Australia, an interesting combination of old, mistaken beliefs and data from early explorations in the southern seas. Sanson also shows a large, mythical land of Jesso, El Dorado’s Lake Parima in South America, and most interestingly, California depicted as an island. In Sanson’s world map, made at a time when cartographers were first developing a scientific picture of the world, we can see the overlap of the old and new world views by the dominant mapmaker of his day.
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Date | 1651. Published in 1695 | ||||||||||||||||||||||||||
Source |
https://www.lbrowncollection.com/world-atlas-nicolas-sanson-1695-a-3-37-europe-france-greece-roman-empire/ https://www.jpmaps.co.uk/mapsearch?what=Nicolas+Sanson&where=allmaps https://pps-west.com/product/nicolas-sanson-world/ |
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Auteur |
creator QS:P170,Q502162 |
Conditions d’utilisation
Public domainPublic domainfalsefalse |
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Cette œuvre est également dans le domaine public dans tous les pays pour lesquels le droit d’auteur a une durée de vie de 70 ans ou moins après la mort de l’auteur. Cette œuvre est dans le domaine public aux États-Unis car elle a été publiée avant le 1er janvier 1929. |
Ce fichier a été identifié comme étant exempt de restrictions connues liées au droit d’auteur, y compris tous les droits connexes et voisins. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
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1 077 165 octet
2 272 pixel
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