English: Puccini - La Bohème - Cipolla's painting of the death scene
Identifier: victrolabookofop00vict (find matches)
Title: The Victrola book of the opera : stories of one hundred and twenty operas with seven-hundred illustrations and descriptions of twelve-hundred Victor opera records
Year: 1917 (1910s)
Authors: Victor Talking Machine Company Rous, Samuel Holland
Subjects: Operas
Publisher: Camden, N.J. : Victor Talking Machine Co.
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University
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Text Appearing Before Image:
L (Boheme Selection By Pryors Band\353-3 \ Madame Butterfly Fantasia Cello By Rosario Bourdont (Ah, Mimi, tu piu By Da Gradi and Badini (In Italiari)\a am* ISono andati? By Bronzoni and de Gregorio (In Italian) ; JMusetta Waltz By Wm. Pickets, Boy Soprano (In Italian)). 7g76\ Love in Springtime (Arditi) By Wm. Pickets, Boy Soprano) (Musetta Waltz (Whistling Solo) Guido Gialdinil 168Q2 \ Carmen Selection Xylophone Wm. H. Reitz) Air de Rodolphe By Leon Campagnola, Tenor (In French)Pagliacci—Vesti la giubba By Leon Campagnola, Tenor (French)Wie eiskalt ist dies Handchen By Johannes Sembach, TenorMadame Butterfly— s ist schon was Wahres dran By Minnie Nast; Johannes SembachAh, Mimi sen est alles By M. Campagnola and M. VigneauTosca—Le del luisaid detoiles By M. Campagnola 12-inch, $1.25 (In German)(In German)) 55070 12-inch, 1.50 12-inch, 1.25 12-inch, 1.25 10-inch, 1.00 10-inch, .75 10-inch, .75 55083 12-inch, 1.50 55082 12-inch, 1.50 (In French) (45 122(In French) J 10-inch, 1.00
Text Appearing After Image:
CI POLL AS PAINTING OF THE DEATH SCENE 47 ■M* Ji ^^J^MB ; y . 1 K$ jmBSrJfiA . Js w***i,^fl Vm I KJaSuf i tiJIPr ) h^Tl WlM. i §nL PHOTO BYRON THE CARNIVAL AT PRESBURG ACT II THE BOHEMIAN GIRL OPERA IN THREE ACTS Text by Bunn, who took his plot from a ballet written for Ellsler, the dancer, by Saint-Georges, but transferred the scene from Scotland to Hungary. Music by Balfe. First pro-duced at Drury Lane Theatre, London, November 27, 1843, the cast including Harrison,Rainforth, Betts, Stretton and Borrani, and the opera had an unprecedented run of onehundred consecutive performances. An Italian version was brought out at Drury Lane,February 6, 1858. First American production November 25, 1844, with Frazer, Seguin,Pearson and Andrews. The work, after its English success, was eventually translated intoalmost every language of Europe, and during the next twenty years was produced in Italyas La Zingara (at Trieste, February 12, 1854); in Hamburg as La Gitana; in Vienna as DieZigeunerin
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