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Ramdane Issaad, born April 1, 1951, is a French writer. Biography Born of an Algerian father and a Norman mother, I first practiced medicine for three years (1979-1981) in a popular practice, in the Abbesses district in Montmartre, before deciding to devote himself fully to 'writing and directing documentaries for television (he won the Roberval Prize in 1998) 1. A former Maoist activist (he sold La Cause du peuple at the age of 16 on the markets), he discovered Guy Debord and Situationist literature in 1968 and has since continued to analyze the world according to this critical grid. His universe, at odds with the usual clichés concerning "Arab" ghetto literature, is meant to be global and transcultural. Dostoïevski, Steinbeck, Malcolm Lowry, James Ellroy, Sepúlveda, Kessel, Césaire constitute his reference points and the author, who is not Arabic-speaking, defines himself above all as universalist and close to the thought of Gilles Deleuze. From its first publication, the favorable review notes that its characters evolve in a globalized world as we live it, going so far as to evoke Louis-Ferdinand Céline (Le Vertige des abbesses). He published at Le Seuil in 2003, Rushes2, a documented fiction on the Rwandan genocide and its treatment by the French media subjected to state propaganda. His seventh novel, published by Éditions du Net in 2011, raises the question of the relevance of the individual act of revolt in a complex world where alienation affects the poor as much as the powerful3. He is the author of an essay on the medico-industrial complex, La Dictature d'Hippocrate4 Issaad has initiated since 2003, with the sociologist Pierre Bourdieu and Jacques Glowinski, a series of portraits and interviews with members of the College of France (Portrait of Gilles de Gennes, Arte 2007, interview with Pierre Boulez in 2008. All of the work has been grouped into a reference collection, "La Mémoire du Collège de France", published by Editions Montparnasse. Ramdane Issaad is one of those who tried to bring the so-called "beur" French-speaking literature out of its cultural ghetto. Indeed, rare are the writers of his generation to have had the right to participate fully in French intellectual life. This literature indeed presents a serious handicap. As Alec G. Hargreaves points out, "Librarians do not know where to classify it, teachers are reluctant to incorporate it into their lessons, and critics are generally skeptical of its aesthetic merits." He noted, however, that "this refusal to accept as legitimate within the confines of French literature the presence of elements from across the Mediterranean cannot be explained by aesthetic criteria alone" 5. Pamphleteer, Ramdane Issaad also publishes on many Internet sites [ref. required] 6.

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